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The Big Switch Is To TV
Originally published in American Cinematographer in January 1955
MGMs Variable Wide Screen Projection Lens
Originally published in American Cinematographer in October 1953
Shooting A TV Production In Low Key Using Tri-X
Originally published in American Cinematographer in May 1957
Multiple Cameras Cut Shooting Time Of Hell To Eternity
Originally published in American Cinematographer in July 1960
My Cousin Rachel
Originally published in American Cinematographer in February 1953
Economy Prime Factor In Producing Films For TV
Originally published in American Cinematographer in November 1950
Filming The TV Dramatic Featurette
Originally published in American Cinematographer in September 1952
Adapting The Zoomar Lens To The Auricon Pro
Originally published in American Cinematographer in January 1955
Odds Against Tomorrow
Originally published in American Cinematographer in August 1959
Zoom Lens For 16mm Cameras
Originally published in American Cinematographer in March 1958
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